We live in a strange world where some of the premier minds behind a franchise have no say over its direction. When you can buy and sell the rights to a franchise, the name becomes worth more than the product itself. The right name can move far more units than any technical innovation, no matter who owns it. …
I’m going to be a bit angry for a bit, so strap yourself in for a nice rant from an opinionated person with no legitimate superiority over the developers of any game, let alone an MMO. I have no design experience, no business experience, but the one thing I do know is what the word “option” means.
Chances are that you already know if you’re going to like Starcraft 2. If you’ve played any of Blizzard’s games then you’ll pretty much know what to expect: an accessible if somewhat cheesy game with high production values and extensive multiplayer support. I could go into detail on the unit balances and the intricacies of battlenet, but those are not really important. In fact, the important parts of this game, really, are the multiplayer and the campaign, and I imagine a sizeable chunk of consumers would disagree with me on the latter point.
His name’s Michael Thorton and he used to be a spy, until one mission in Saudi Arabia. When you’re burned you’ve got nothing; no cash, no credit, no job history. You’re stuck with whatever mission they left you with: revenge. You’ll do whatever work comes your way to pay the bills, rely on anyone who’s still talking to you: an Al-Samaad terrorist leader, a psychotic CIA agent, or maybe just a mole inside the organisation that burned you, if you can trust them. …
For an author, the guy doesn’t actually do very much writing, having built up one hell of a reputation for his military detail and whatnot from back when he actually did write. Nowadays he makes money of selling his name to Ubisoft, and the crazy thing is that it works very well indeed.
Malta. It’s not a big country, but it has a lot of people. Tourists, citizens, scum and saint, Malta is full of them. With that in mind, it’s one of the best places in the world to disappear. You don’t “blend in” in Malta, it devours you whole. Just what I was looking for.
The original Dawn of War 2 was an odd beast. Coming from a strong strategy heritage, one firmly entrenched by about a billion add-ons for the original game, it decided to step away from the base-driven confines of its predecessor and into a more squad-based realm. It was a slightly confusing take on things at first, but it opened up the developers to really grab hold of one of the more appealing aspects of the 40k universe, narrative.
Chaos Rising build upon its firm foundations and takes you deeper into the mysterious heart of the Blood Ravens. One year on from the crusade against the all-consuming Tyranids, your nameless force commander is thrust back into action when a rogue planet emerges from the Warp, bringing with it a heretical legion of Chaos Space Marines.
Last semester, I had a module at university devoted entirely to the alien films. This culminated in a screening of the Alien Vs Predator movie which, as I’m sure you are aware, is very Paul WS Anderson in every regard. This was a bit annoying, having come to the film expecting something like Monolith’s rather snazzy AvP2. I gather that Rebellion’s original crack at an AvP game was rather good, but I missed it myself. Perhaps I was too young, or it was overshadowed by something else, I can’t remember. What this means, however, is that Rebellion’s return to the franchise is, for me, similar to Anderson’s film. It has a lot of expectations to live up to.
Does it manage it? Well, short answer, it doesn’t fail.
Aliens vs Predator drops you into the boots/exoskeleton/fashionable fishnet hunting gear of one of three characters: a Colonial Marine, or the titular Alien or Predator. The game gets off to a good start by having the three races control in subtly different manners, providing a different feel to each portion of the campaign.
Each race embraces different styles of play, from the pure run and gun antics of the marine (coupled with a bit of survival horror at times) to the more stealthy predator and aliens. While your time with each character in singleplayer is relatively brief, perhaps three or four hours, the knowledge that their stories all tie in with one another is a blessing.
AvP’s story takes place on a colony run under the watchful eye of Weyland-Yutani, the evil ultra-corp that any fan of the series will recognise. Karl Bishop Weyland has spent a great deal of time and money on this specific colony, unearthing an ancient predator ruin while simultaneously entering into some ethically and morally dubious research regarding the xenomorphs. Naturally, something goes wrong, the aliens escape and the predators turn up to ensure that no primitive human is going to take possession of their revered dead/technology. And when things go bad in the arse end of space, the Colonial Marines are the ones sent in to clean things up.
As plots go, it’s not going to win any awards, but it will keep you entertained long enough to be worthwhile. A generous scattering of audio logs help to flesh it out to some degree, but they are not essential to understand the motivations of the newest member of the Weyland family, merely an insight into some of the various characters you may hear about.
The three interconnected plots fit quite well, although they never truly overlap. You’ll go to the same places in the three campaigns, lending some credence to the argument that it is artificially lengthening the game, but each time the challenge will be different. For the marine, a march through a deserted garrison may be concerned with trying to deal with the bleeping of your motion tracker, desperately searching the scene for that one scuttling horror lurking in the shadows. For the alien perhaps you are that horror, trying to find your way from one side to the other without an army of synthetics blasting your limbs off. Even the predator, with his cloak and dagger mentality, will have a different challenge, trying to sabotage a specific system so that he can reclaim some much revered technology.
Rebellion have done a good job of nailing the motivation and feel of the characters, although they have made some unusual design choices in order to achieve this. The aliens and the predators are mostly perfect, both fast and deadly, strong when played in line with their movie mentalities and the perfect fodder when not. The marines, however, fare somewhat differently.
At first, all seems well. When the demo came out, there were complaints that the marine had no crouch ability, although this could easily be explained away with the notion that you should be spending the game running, always moving, otherwise you’ll be lunch. At first, this seems to ring true. Standing still in multiplayer does indeed equal death, and singleplayer is much the same; standing your ground against a rampaging horde of xenomorphs is a sure-fire why to see the game over screen. Then you reach the end portion of the marine campaign, and the synths are introduced.
For those of you not familiar with the series, “synths” are androids designed to appear the same as humans, but to have all the expected mental superiority. They are, technically, bound by the Laws of Robotics, but Weyland-Yutani have circumvented these rules and invented combat-synths. What this means, then, is that these robots have perfect eyesight, perfect aim and can shrug off recoil like nobody’s business.
They can also crouch and take cover.
I had never truly realised how useful the crouch key is in a fire fight until I didn’t have it any more. Trying to fight the synths as a marine is an exercise in frustration, your ridiculously huge boots give away your position instantly, and they will be ready for you. Perhaps in the future, knees have been made obsolete by genetic engineering, or some hideous disease has resulted in deformed children with no joints, but it is suddenly very jarring when presented with enemies that fight back.
This is avoided in the other campaigns being as your primary goal is to go unseen. While you can survive a straight up fight if you are skilled, it feels like a personal failure to get spotted, much as it does in Splinter Cell for instance. The fact that you are largely reliant on melee combat encourages this, with gruesome animations for stealth kills and successful counters in combat. The combat itself can be reduced to a rock, paper, wrist-blade equation, but by the time it starts to grate you will be moving onto the next campaign, so it’s not too big a deal. Also, the predator’s cloak no longer draws from his energy reserves, which is just wizard.
I have a problem with the multiplayer, however. That problem, put simply, is that I hate it.
As a disclaimer, I’m not particularly fond of competitive multiplayer at the best of times, but clever ones will allow you to have fun even when you suck. Team Fortress 2 and Modern Warfare 2 manage this extremely well. AvP doesn’t. The matches are very fast paced and you will die a lot, but that’s fine; you don’t have much downtime and the game result is never a forgone conclusion.
The problems arise firstly with the maps. While they are deliciously detailed, with one being particularly memorable for replicating the pyramid from the AvP movie complete with moving walls, they are just too small. This is exemplified by the game’s inability to find a safe place to spawn you, often resulting in just dumping you in front of an enemy, leading to a never ending stream of spawn deaths or, worse, the death train.
The death train comes from the game’s trophy kill system, all the gory one-button kills from the singleplayer but transplanted into multiplayer. Using one is largely pointless, as the time it takes to complete will allow any nearby enemies (and there will be many owing to the tiny maps) to get behind you and prepare one of their own. This can repeat to a ludicrous degree, only stopping when the next man to board the train is a marine, owing to their lack of a trophy kill. The simple solution would be not to use the trophy kill at all, but then you have to contend with the annoying melee system, which ceases to be fun once lag gets involved. Even on the newly implemented dedicated servers, you’ll be lucky to see a ping below 100, which doesn’t seem much, but is just enough to make timing your punches and blocks harder than it needs to be.
My biggest gripe, however, is survival mode. All my problems with the competitive multiplayer can be written off or explained away as it not being my kind of game, and there may even be some legitimacy in that, but the failures of survival mode cannot. We were promised a compelling co-op experience wherein we and three friends would fight off the slavering horde on a number of maps. What we get is two maps (unless you shelled out for the special edition, then you get an exclusive extra pair) that are little more than a square room. It just seems so lazy, as if they’ve gone ‘here’s a room, put some aliens in it, done’. They could have put choke points, deployable turrets, doors to weld, anything. Allow you to relive that scene from Aliens when they are holed up in the colony and preparing for the inevitable alien onslaught. I don’t say this often, but they could have learned a lot from Killing Floor.
Overall, AvP does well at replicating the feel of the universe and the character of each race, at least in singleplayer. You never feel as though you are retreading your steps as you progress through the campaigns, and the individuality of each is maintained throughout, although by the third time you reach the final map you might be losing patience. It is unfortunate, then, that for every good decision Rebellion made they seemed to balance it out with a poor one.
Personally, I think that Rebellion could have adopted a few of Monolith’s innovations to the series, especially in the multiplayer department. The game does feel a little like a step back in that regard, with the multiplayer component being a bit archaic for my tastes, especially when the predecessor had such entertaining options as Lifecycle. Apart from the presentation, which is above par, there is a bare-bones feel to the whole product which hurts it more than a little. That said, however, it is still worth a go if you are a fan of the series, or a decent place to start.