Every once in a while, one of us here at Reticule Towers takes the decision to take a look at some games coming out in the year ahead. Sometimes we might talk about, AAA, others indie. This time, I’ve picked a few indies that are on the horizon. Hit the break to read more…
As a young PC gamer, I was a big fan of Bullfrog’s Theme games, though I only owned one myself. I would while away hours on end playing Theme Park, and when my neighbour got Theme Hospital, we would spend our weekends and summer holiday’s laughing at the various illnesses and diseases in the game. They were two great games, though I was always sad that I didn’t own my own copy of Theme Hopsital. Soon, the wait will be no longer as Two Point Hospital…
“I hate this tiny drunken baby-man” was pretty much the only sentence I uttered while playing this game – my flatmate in hysterics as she watched me play. It’s an infuriating, physics based title that gives the player control of a human avatar who seems to have been hitting the bottle a little too hard. The idea is to take your little guy from the start of the game to the end, by only controlling his jumping and using the…
When I reviewed Tokyo 42 earlier this year, I talked about the skill required to control the isometric(ish) camera across its eight angles. I didn’t think there were any problems with the camera, I accepted it as part of the game, but did highlight that “Controlling the camera during the action is as much a skill as the running, gunning and jumping.” The devs at SMAC Games have seen similar feedback elsewhere, and have made some subtle, but important, changes to the game.
Every once in a while you receive a press release about a game, and wonder why you haven’t read much it? Figment is one of those. It might be that it released when I was getting ready for EGX, but the good news is there is a demo available on Steam and developers Bedtime Digital Games are hard at work on console versions, including a Switch version. Given the opportunity to put a few questions to Creative Director of Figment, Jonas Byrresen.
Ahh Mantis Burn Racing, a little gem that I thoroughly enjoyed last year when it was first released. It features some great top-down racing, and while I loved it, part of me always felt the mini vehicles, while looking gorgeous, were a bit lost when playing on a big screen. Now it’s been released on the Switch, and it is better than ever.
It was two years ago that I first laid sight on Shadowhand from Grey Alien games. It was at EGX, and I said at the time that it was a card game I could get behind, with a combination of RPG elements and solitaire style action. To celebrate the confirmation of the 7th December release date, a new trailer has been released. Hooray!
As I sit down to write something for the first time in a month, I am reflecting on the game I most recently completed. Wolfenstein II: The New Colossus. It’s a beast of a game, one that is undoubtedly pushing towards a Red Mist Verdict. It is a great achievement from Machine Games who have crafted a Wolfenstein game where the storytelling and cut-scenes lift what is otherwise a perfectly enjoyable, but by no means outstanding, shooter to great heights.
The wonder of the Nintendo Switch is that indies that might have become lost in the masses on Steam have a new lease of life. The Flame in the Flood is a charming rogue-lite survival game that completely passed me by when it was released on PC last year, but it has performed extremely well since releasing on the Switch last week.
The revival of the CRPG is still going strong and with each big release comes a whole host of improvements. The recent release of Divinity: Original Sin 2 has continued that trend and with a $2,000,000 Kickstarter to back them up you would certainly expect that to be the case.
Dead Cells is a self-described rogue-lite, metroidvania action-platformer with 2D souls-lite combat. What?! There’s a lot of different phrases going on there, and if I had simply seen it appear described as such on the Steam Early Access lists, I might have passed over it. You see, my ‘rogue-like’ experience extends to Spelunky and the recently released Heat Signature, and the term ‘metroidvania’ went right over my head until Wikipedia pointed out the Batman: Arkham was an example. As for ‘souls-lite’ combat? I’ve never got along with…
Submitted for your approval, one Claire Barnes, who, through either chance or the mysterious machinations of fate is about to discover what kind of horrors lurk in the darkness of a deserted road.
As she travels into to night, we will accompany her on her journey. It is a journey of both distance and of the mind, a journey that will take Claire Barnes into the unexpected realm of what resembles, but is legally distinct, from the Twilight Zone.
Despite the fact that I can only play horror games in ten minute sessions before having to finding a soft kitten to squeeze, nevertheless I’ve always been a fan of them. Not just the triple A high production ones either – every few weeks I’ll delve into the depths of Itch.io to see what recycled assets have been cobbled together in Unity to make me jump.
Why yes, I have always wanted to play a game about being an cantankerous goose – how kind of you to notice.
Making cars is fun! Who would have known? Well, probably Henry Ford, but also Cliff Harris of Positech Games who has been diligently working away on Production Line for over year, with his first video Dev Blog coming out this time last year. I was lucky enough to catch up with Cliff briefly at EGX and have started on my own journey to become the new Henry Ford.